This is a book report on Their Eyes Were Watching God: Evidence of a Postmodern Tendancy ˇZora Neale Hurston lacks [any] excuse. The sensory sweep of her novel carries no theme, no message, no thought. In the main, her novel is not addressed to the Negro, but to a white audience whose chauvinistic tastes she knows how to satisfy. She exploits the phase of Negro life, which is "quaint," the phase, which evokes a piteous smile on the lips of the "superior" race. -- from "Their Eyes Were Watching God (1937)," a review by Richard Wright.
Pages: 9
Bibliography: 7 source(s) listed
Filename: 296 Eyes Watching God.doc
Price: 80.55
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